Tag Archives: Smash

Power Rankings – Will and Grace

17 Apr

Will, Grace, Karen, and Jack

Sometimes, we pick a show from the 70s, with a giant 15 person cast, and run a three day long power ranking.  Sometimes, we take a show that ended seven years ago with four main cast members and it’s a little shorter.  It’s the latter today, where we work with the cast of Will & Grace, but they’ve made it easier for us but all staying pretty damn busy in the seven years since their show ended in 2006.  I never cared for Will & Grace as a show, but I suppose it played an important role in handing the first leading role on broadcast TV to a gay character, so absolute kudos for that.  Either way, it’s certainly earned its own Power Rankings.

4.  Sean Hayes (as Jack McFarland) – Hayes played Kenneth’s cousin in an episode of 30 Rock, and was in two episodes of Oxygen sitcom Campus Ladies (which apparently featured Jonah Hill).  He was in The Bucket List and Soul Men.  He was in an episode of Hot in Cleveland, and episode of Portlandia, and played a Indiana journalist who despises Pawnee in an episode Parks and Recreation.  He played Larry in the Farrelly brothers version of the Three Stooges.  Hayes was nominated for a Tony Award for his role in Broadway musical Promises, Promises, and voiced Mr. Tinkles in Cats & Dogs: The Revenge of Kitty Galore (I wish I had made up that title).  He was in four episodes of Up All Night and three of Smash.  He’ll be voicing a character in the upcoming Monsters Inc. sequel,  Monsters University.  He’s done quite a bit to get saddled with last, but he’s the clear choice for last here, which says more about the competition than it does about him.

3.  Eric McCormack (as Will Truman) – McCormack did some theater immediately after the end of Will and Grace, appearing in off-Broadway Neil LaBute play Some Girl(s), and producing (though his production company Big Cattle Productions) a sitcom for Lifetime called Lovespring International, about employees at a California dating agency, which failed quickly (and starred Jane Lynch).  He starred in A&E’s Michael Crichton miniseries adaptation of The Andromeda Strain.  He appeared in the 100th episode of Monk and one of Law & Order: Special Victims Unit.  He co-starred with Tom Cavanagh in TNT’s Trust Me, as a Creative Director of an advertising firm, and the show was cancelled after one season.  He was in sci-fi film Alien Trespass and six episodes of the fifth season of The New Adventures of Old Christine (it is absolutely mind boggling that there are five seasons of that show).  He has been lending his voice since 2010 to kids’ cartoon Pound Puppies and starred in a lifetime TV movie based on infamous impostor and kidnapper Clark Rockefeller, the creatively titled Who is Clark Rockefeller?  As of last summer, McCormack is starring in TNT’s Perception, as a brilliant but vaguely crazy scientist who helps the FBI solve difficult cases (sounds more like a USA show, but I guess the networks aren’t that different).  Perception’s second season will air this summer.  The three non-Sean Hayes actors are so close that there could essentially be a three-way tie for first.  McCormack gets third because while he is the main character in Perception, no one cares about or watches Perception.

2.  Debra Messing (as Grace Adler) – Messing’s been very busy since Will & Grace.  (not relevant for these purposes, but immediately before landing Will & Grace, she was in a  failed sci-fi series called Prey; I think I am one of maybe half a dozen people to have seen it).  In the year after Will & Grace ended, she was in Ed Burns indie Purple Violets and Curtis Hanson-directed Lucky You.  The next year she was in the film The Women, and in highly successful USA network miniseries The Starter Wife, where she played a woman whose high-powered Hollywood husband recently left her for a younger woman.  Popular enough to be turned into a regular series, The Starter Wife then lasted for one season before being cancelled.  She appeared in a failed tv pilot Wright vs. Wrong (she was Wright) and got another main cast role in NBC’s much ballyhooed and made fun of Smash as lyricist Julia Houston.  Her role in Smash is not as important as McCormack’s in Perception, but Smash, unlike Perception, had a public moment, mostly a bad moment, but still, a moment.

Megan at a convention 1.  Megan Mullally (as Karen Walker) – She was in episodes of How I Met Your Mother, Boston Legal, The New Adventures of Old Christine, and voiced Honex Tour Guide in Bee Movie.  She appeared in the main cast of short-lived ABC Chelsea Handler sitcom In the Motherhood, and in the remake of Fame.  In 2010, she replaced Jane Lynch in the second season of Party Down, playing Lydia Dunfree, a mom with an aspiring actress/singer pre-teen daughter.  She was in indie film Smashed in 2012 and co-starred in the ill-advised second season of Christian Slater high tech security firm sitcom Breaking In, which was cancelled soon afterwards.  She’s been in all four seasons of Adult Swim show Childrens Hospital, as Chief, the crippled leader of the hospital.  She was in three episodes of 30 Rock as a representative of an adoption agency, and has been in six episodes of Parks and Recreation as Ron’s second ex-wife, the crazy librarian Tammy (Mullally is Offerman’s wife in real life).  She’s voiced Linda’s crazy sister Gayle in six episodes of Bob’s Burgers and Rose Stevens in one season of IFC cartoon Out There.  She’s also played Penny’s song-and-dance hyper mom Dana in Happy Endings.  The tie-breaker here is really that Mullally has been in more projects that I like, including Party Down, and Childrens Hospital, both of which are more acclaimed than anything Messing or McCormack have been in recently, as well as playing Tammy 2 in Parks & Recreation, which would win the tiebreaker all by itself.

Spring 2012 Review: Smash

1 Feb

So NBC, you win.  I watched Smash.  Are you happy now?  My favorite game during the Super Bowl was counting the Smash commercials.  NBC has been bombarding the three viewers of the network with Smash ads for a full half year, and I was concerned that the network might literally implode from within if the show was a failure.  Anyway, it did well enough, and though putting one’s faith in Smash as a network savior may or may not be a sound strategy depending on the type of demographic you hope to gain, I’m glad to say that it was a pretty solid episode of TV.

Smash is the story all the steps and pieces that go into putting on a Broadway musical.  It begins with the conception of an idea by a man and woman songwriting team, and over the course of the first episode they record a quick demo of a song they come up with which leaks onto the internet, leading to interest from producers.  The musical is about Marilyn Monroe (which you’d know if you’ve seen one of the thousands of commercials) and the episode gets through two rounds of auditions at which point it looks like the casting of Marilyn is between two actresses, a veteran chorus girl and an up and coming youngster from Iowa.  The show appears to be a true ensemble piece, focusing on the songwriting team, the two women auditioning for the part, the producer, and the director.

Overall, I really enjoyed the show.  The cast was excellent, and I enjoyed the show for a number of reasons, but I do want to point out the fact that I appreciate the covering of a subject matter that hasn’t been done a hundred times.  I love The Wire and Law & Order but it’s nice when every show on TV is not about cops, or lawyers, or doctors.  More that that, it makes it easier on the show as well, because there are many fewer clichés already out there for the show to just walk into.  Sure, maybe there are archetypes associated with musicals in general, but not nearly as many in terms of characters as there are for cops, who, for example, care too much about every case or doctors who, for example, are jerks but really care on the inside.  The characters in general seem well-built.  There were no caricatures and no one I couldn’t believe, and aside from the director propositioning the young starlet, just about no clichés.  The potential conflicts on the show so far, between the male half of the songwriting team and the director, and between the two candidates for the role of Marilyn have potential and more that, don’t have an obvious villain or hero, which I appreciate.

I remember having heard Smash billed as an adult Glee, but that’s really inaccurate.  There’s absolutely nothing alike between the two shows except that they both feature musical sequences.  They’re different in that regard as well, as Glee’s numbers are much more elaborate and outside of the direct story, while Smash features fewer songs per episode and more original songs.  Where the Glee songs often seem to be totally unnecessary and sometimes disjointed from the rest of the show (I mean, they’re necessary in so much as that’s what Glee is, but my friend watches the show without the songs and can follow along just as well), the Smash songs make a lot more sense so far in the context of the show, as about a production of a musical.  I think there will be fewer originals per episode in the future, and more covers, and the very small amount of musical sequence which felt outside of the plot was probably my least favorite part of the show, but I’ll willing to give some leeway for now.

I have mixed feelings regarding musicals.  Growing up, my parents would take my brothers and I to musicals fairly frequently, and I enjoyed them, but I have kind of stopped going in the past few years.  This is less a complete indictment of musicals, than a realization of the fact that musicals generally fall below other things I’m interested in doing.  Still, I appreciate the art form.  I guess what I’m trying to say is that if you hate musicals, you probably won’t like this, but you don’t need to love musicals to enjoy it.  I do wonder what kind of appeal this will have in the fly-over states, but maybe NBC should just give up on CBS demographics and try and aim for the educated, high-income viewers that are already the only ones who watch its programs.

Will I watch it again?  Yes.  Smash didn’t excite me in the way Homeland did or have the distinctive voice of Luck or even the trashy fun of Revenge but it appears at least so far to be just a solid, well-executed show.  It’s nothing flashy and there’s nothing instantly compelling enough to vault it into my top shows but the people connected to it seem to really know what they’re doing, behind and in front of the cameras.  Right now it looks like a Matt Holliday – a player who got a big contract which generated a lot of hype, but doesn’t do anything flashy other than produce day in and day out and live up to the contract’s terms.  Of course, this could all go sour in a half season like Glee did, but it’s earned more of a chance from its first episode than a vast majority of shows do.

Spring 2012 Preview and Predictions: CBS and NBC

3 Jan

(In order to meld the spirit of futile sports predictions with the high stakes world of the who-will-be-cancelled-first fall (now spring!) television season, I’ve set up a very simple system of predictions for how long new shows will last.  Each day, I’ll (I’m aware I switched between we and I) lay out a network’s new shows scheduled to debut in the fall (reality shows not included – I’m already going to fail miserably on scripted shows, I don’t need to tackle a whole other animal) with my prediction of which of three categories it will fall into.

These categories are:

1.  Renewal – show gets renewed

2.  13+ – the show gets thirteen or more episodes, but not renewed

3.  12- – the show is cancelled before 13

Spring note:  It’s a lot harder to analyze midseason shows as there’s no collective marketing campaigns going on at one time, as many of the shows start dates are spread (or are even unannounced for some)  Still, we’ll take partially educated guesses.  Also, they’re a lot less likely to get partial pick ups, so maybe that trade off will make it easier)

CBS, being the all-powerful leader in television ratings, as older people simply throw out their remotes, because it’s easier to just leave their TVs on the network, has decided that the only thing missing from their line up is a Rob Schneider sitcom.  Thus, because they have just one new show, we’ll be combining their preview with NBC’s.

CBS

Rob – 1/12

If not for the existence of Work It, this would have been a landmark moment for obviously terrible television.  Of course, it’s on CBS, so I’d be foolish to count it out so quickly.  Rob is about the comedic and charismatic Rob Schneider, who after years of bachelordom marries into a close knit Mexican-American family which happens to coincidentally conform to a number of Mexican-American stereotypes.  Cheech Marin plays his father-in-law.

Verdict: 12-  Please, please be right about this one.  I’m sure people will watch it because it’s on but at least being on CBS  means you have to beat other CBS shows to stay on, and I’m not convinced it can do that.  I’ve been wrong before about CBS though and I will be again.

NBC

Smash – 2/6

NBC’s putting so much stock into this show that they’ve tried to generate good karma by naming it aspirationally.  Postured as Glee for adults, Smash is about the production of a Broadway musical based on the life of Marilyn Monroe.  American Idol’s Katherine McPhee stars as a naïve Midwesterner come to take boradway by storm as the favorite for the lead.  TV veteran Debra Messing portrays one of the songwriters and Anjelica Huston plays the producer.

Verdict  Renewal – the midseason show I would be most surprised by a cancellation.  NBC is all in on Smash and postponement to midseason was a strategic decision rather than a lack of faith in the pilot.

Are You There Chelsea? – 1/11

Another title change, this time from Are You There Vodka, It’s Me Chelsea?, this show is based on the life of comedian Chelsea Handler, with the original title taken from her memoir, and changed because you can’t put vodka in the title of a network show for some reason.  Real edgy, NBC.  That 70’s Show’s Laura Prepon plays Chelsea Newman, based on Handler, while confusingly, Handler will play Chelsea’s older sister.

Verdict:  12-  It could easily get renewed, because who knows, but yeah, it’s looks terrible, and slightly smarter NBC audiences have not tolerated Whitney in the past and hopefully will extend that same feeling towards Are You There Chelsea?

The Firm – 1/8

Rather than a remake of the movie, The Firm is a continuation.  Set 10 years after the events in the film, The Firm explores what happens to Mr. and Mrs. McDeere after they come out of witness protection and start their own family and firm.  Josh Lucas plays Mitch McDeere and Molly Parker plays his wife Abby.  Much of the first season’s plot involves a battle to keep his firm independent against a takeover attempt by a shady firm.

Verdict:  12-  I don’t have a whole lot of faith in this relatively gimmicky remix.  Is The Firm that popular a product still in the public’s imagination even though the film was almost 20 years ago?

Bent – unscheduled

Amanda Peet stars as a recently divorced lawyer who hires a womanzing contractor to renovate her kitchen.  For some reason that contractor is the other main character, and I don’t know how they would keep the contractor if the show went beyond one season (they’re probably as confident as I am that it won’t.)  Jeffrey Tambor co-stars.

Verfict: 12-  I feel bad because I’ve always liked Amanda Peet.  It looks pretty dead in the water even if it ever makes TV.

Awake – unsecheduled

A far more interesting unscheduled show.     Awake stars Jason Issacs as a police detective involved in a car accident, who upon regaining consciousness, moves back and forth between two parallel lives – one in which his son dies, and his wife lives, and one in which the opposite happens.  The farther the two parallel lives more forward in time, the more they separate.  It sounds like it has the potential to be the best science fiction police procedural since Life on Mars.

Verdict:  12-  This seems so likely to share the same exact fate as fellow Kyle Killen show Lonestar.  Rave critical reviews, but nary a chance to get on its feet and become at all popular.

Best Friends Forever – unscheduled

One old friend moves in with another after the first friend divorces her husband.  This is mildly problemtic though, as the second friend’s boyfriend has just moved in and taken over the first friend’s old room.  Hilarity ensues.

Verdict:  12- A fairly low premise sitcom, it’s pretty difficult just to tell from the premise how it will be.  That said, I’m going to err on the side of cancelled – it is midseason after all.