Tag Archives: Bent

Spring 2012 Review: Bent

22 Apr

If only the theme was Bent by Matchbox 20

Another review for a show no one has seen, or will see, making us wonder why NBC even bothers putting the show on air without even trying to get people to watch it.

Amanda Peet is Alex, a newly single mom with a high-powered job struggling to cope.

In an explanation that lets you know this show is in tune with current events, Alex’s husband was arrested for embezzlement, is now in jail, and gave the proceeds from the illicit activity to his mistress.  Peet is struggling, hanging out with her loosey-goosey best friend (sister, apparently – I couldn’t tell that from the episode) Screwsie, which I can only assume can not be her real name.  She decides she needs a change, in the form of a complete remodeling of her kitchen and living room.  In comes our second main character, surfer dude and all around laid back contractor Pete, who, having lost his contracting business after gambling all his money away, is looking for a fresh start.  Pete convinces his whole crew to get behind him and sells Alex on his proposal, possibly influenced by Alex’s sister, who remarks several times on how attractive he is; The sister and Pete have a tet a tet of questions for each other like “Did you work at bar x” and “Have you ever been to club y” to convince themselves that they haven’t had sex with one another.

Although Pete shows up late, he does some good work, and is on his game until he runs into Alex’s daughter’s babysistter at a bar, sleeps with her, and drops her off at Alex’s house the next day, late for her babysitting gig.  Alex fires Pete (end of show?) and Pete, despondent, decides to act a little crazy, stealing some supplies from the rival contractor who got the gig after him.  Pete runs into Alex’s daughter, and they bond.  She’s nervous about a concert performance she has to give, a fact Alex can’t see because she, high-powered woman, has too much on her plate.  Pete brings the daughter to where his dad, who plays a piano at a department store, works, has her play on the piano there, she feels better about herself, and Alex, feeling sympathetic and vaguely grateful eventually decides to relent and put Pete back on the job.

Wacky side character alert:  The seriously wacky character in this program is Pete’s dad, played by sitcom veteran Jeffrey Tambor.  He hangs out with the guys and is employed playing piano at a local department store, while his true passion is singing Fleetwood Mac, though apparently he’s been specifically warned about singing while he’s working.

I’ve always liked Amanda Peet.  I don’t have a great reason for that.  I’m just laying it out there so you know my biases.  I’m not the world’s best examiner of mythical romantic chemistry, but I do think Peet and Walton have a pretty good repartee.  Of course, they’re not together at the beginning of the show, as Alex has a boyfriend, and well, Pete just slept with the babysitter, but if this show went more than the six episodes it will go, there would clearly be some sort of on-again, off-again relationship.  Otherwise, I’m not sure how many seasons Pete could keep merely being the contractor at her house is, unless he does a really, really terrible job.

It wasn’t a super funny show, but the dialogue was reasonably smart.  It’s definitely in the second class of sitcoms, above the truly terrible (here’s a quick nearly fool proof way to avoid a truly terrible sitcom – if you turn it on and it’s multi-camera and has a laugh track, turn it off immediately.  IMMEDIATELY).

I honestly don’t know why they even bother putting this show on the air though.  It started in March, there was virtually no promotion; it never stood a chance.  It’s almost cruel to get this rare opportunity to have your show actually air on a major network, but with virtually no chance to actually succeed.

Also, the theme song is not Bent by Matchbox Twenty.  I know, a wasted opportunity.

Will I watch it again?  Again, probably not.  There’s just too much to do, and while this show does seem like it could have potentially grown into something, there’s absolutely no way it will get the chance to do that.

Spring 2012 Preview and Predictions: CBS and NBC

3 Jan

(In order to meld the spirit of futile sports predictions with the high stakes world of the who-will-be-cancelled-first fall (now spring!) television season, I’ve set up a very simple system of predictions for how long new shows will last.  Each day, I’ll (I’m aware I switched between we and I) lay out a network’s new shows scheduled to debut in the fall (reality shows not included – I’m already going to fail miserably on scripted shows, I don’t need to tackle a whole other animal) with my prediction of which of three categories it will fall into.

These categories are:

1.  Renewal – show gets renewed

2.  13+ – the show gets thirteen or more episodes, but not renewed

3.  12- – the show is cancelled before 13

Spring note:  It’s a lot harder to analyze midseason shows as there’s no collective marketing campaigns going on at one time, as many of the shows start dates are spread (or are even unannounced for some)  Still, we’ll take partially educated guesses.  Also, they’re a lot less likely to get partial pick ups, so maybe that trade off will make it easier)

CBS, being the all-powerful leader in television ratings, as older people simply throw out their remotes, because it’s easier to just leave their TVs on the network, has decided that the only thing missing from their line up is a Rob Schneider sitcom.  Thus, because they have just one new show, we’ll be combining their preview with NBC’s.


Rob – 1/12

If not for the existence of Work It, this would have been a landmark moment for obviously terrible television.  Of course, it’s on CBS, so I’d be foolish to count it out so quickly.  Rob is about the comedic and charismatic Rob Schneider, who after years of bachelordom marries into a close knit Mexican-American family which happens to coincidentally conform to a number of Mexican-American stereotypes.  Cheech Marin plays his father-in-law.

Verdict: 12-  Please, please be right about this one.  I’m sure people will watch it because it’s on but at least being on CBS  means you have to beat other CBS shows to stay on, and I’m not convinced it can do that.  I’ve been wrong before about CBS though and I will be again.


Smash – 2/6

NBC’s putting so much stock into this show that they’ve tried to generate good karma by naming it aspirationally.  Postured as Glee for adults, Smash is about the production of a Broadway musical based on the life of Marilyn Monroe.  American Idol’s Katherine McPhee stars as a naïve Midwesterner come to take boradway by storm as the favorite for the lead.  TV veteran Debra Messing portrays one of the songwriters and Anjelica Huston plays the producer.

Verdict  Renewal – the midseason show I would be most surprised by a cancellation.  NBC is all in on Smash and postponement to midseason was a strategic decision rather than a lack of faith in the pilot.

Are You There Chelsea? – 1/11

Another title change, this time from Are You There Vodka, It’s Me Chelsea?, this show is based on the life of comedian Chelsea Handler, with the original title taken from her memoir, and changed because you can’t put vodka in the title of a network show for some reason.  Real edgy, NBC.  That 70’s Show’s Laura Prepon plays Chelsea Newman, based on Handler, while confusingly, Handler will play Chelsea’s older sister.

Verdict:  12-  It could easily get renewed, because who knows, but yeah, it’s looks terrible, and slightly smarter NBC audiences have not tolerated Whitney in the past and hopefully will extend that same feeling towards Are You There Chelsea?

The Firm – 1/8

Rather than a remake of the movie, The Firm is a continuation.  Set 10 years after the events in the film, The Firm explores what happens to Mr. and Mrs. McDeere after they come out of witness protection and start their own family and firm.  Josh Lucas plays Mitch McDeere and Molly Parker plays his wife Abby.  Much of the first season’s plot involves a battle to keep his firm independent against a takeover attempt by a shady firm.

Verdict:  12-  I don’t have a whole lot of faith in this relatively gimmicky remix.  Is The Firm that popular a product still in the public’s imagination even though the film was almost 20 years ago?

Bent – unscheduled

Amanda Peet stars as a recently divorced lawyer who hires a womanzing contractor to renovate her kitchen.  For some reason that contractor is the other main character, and I don’t know how they would keep the contractor if the show went beyond one season (they’re probably as confident as I am that it won’t.)  Jeffrey Tambor co-stars.

Verfict: 12-  I feel bad because I’ve always liked Amanda Peet.  It looks pretty dead in the water even if it ever makes TV.

Awake – unsecheduled

A far more interesting unscheduled show.     Awake stars Jason Issacs as a police detective involved in a car accident, who upon regaining consciousness, moves back and forth between two parallel lives – one in which his son dies, and his wife lives, and one in which the opposite happens.  The farther the two parallel lives more forward in time, the more they separate.  It sounds like it has the potential to be the best science fiction police procedural since Life on Mars.

Verdict:  12-  This seems so likely to share the same exact fate as fellow Kyle Killen show Lonestar.  Rave critical reviews, but nary a chance to get on its feet and become at all popular.

Best Friends Forever – unscheduled

One old friend moves in with another after the first friend divorces her husband.  This is mildly problemtic though, as the second friend’s boyfriend has just moved in and taken over the first friend’s old room.  Hilarity ensues.

Verdict:  12- A fairly low premise sitcom, it’s pretty difficult just to tell from the premise how it will be.  That said, I’m going to err on the side of cancelled – it is midseason after all.