Archive | October, 2011

The Zeljko Ivanek Hall of Fame: Eddie Cibrian

12 Oct

I had literally never heard of Eddie Cibrian before I watched The Playboy Club but after doing a little research I had stumbled upon a true TV all-star.

His first role was in an episode of Saved by theBell: The College Years and he followed that up with a spot in a The Young and the Restless.  He then appeared in one episode of anthology series CBS Schoolbreak Special in 1995 and then in the following year appeared in single episodes ofBeverly Hills90210 and Sabrina the Teenage Witch.  He had a co-starring role in the next television season in David Hasselhoff’s Baywatch Nights.  From 1997 to 1999 he starred in the short-lived daytime soap operaSunsetBeach. As Cole Deschanel, a character who, well, it’s a soap opera, so everything.  During those same years he appeared in a couple of TV movies, 3deep andLogan’s War: Bound by Honor.

He was in a couple of films around the turn of the century, and in 2001 an episode of Citizen Baines.  He got his biggest role yet (and still) as a co-star in NBC’s Third Watch, which showcased police officers, firefighters and paramedics inNew York City from 3 to 11PM, the title Third Watch.  Cibrian portrayed firefighter Jimmy Doherty for the first five years of the series (there were six total which I want to point out is about three more than I thought there were).  He had some gambling problems, he slept with his wife’s sister, running his first marriage, and then eventually ruined his best chance for a second marriage, and got shot at the end of the first season.  He eventually got back with his first wife, got promoted to Captain, and disappeared from the show.  He appeared in an unaired pilot for a show based on John Grisham’s The Street Lawyer as the title street lawyer.

After he left Third Watch, he starred in one season of the supernatural Invasion as Park Ranger and marine biologist Russell Varon.  He also appeared in nine episodes of Tilt at about the same time. After Invasion was cancelled, Cibrian became the lead character in the one season Vanished the next year as FBI Agent Daniel Lucas, who takes over the search for the missing wife of aGeorgiasenator after another FBI agent is murdered mid-way through the season.  Caught without a regular role, he appeared in a number of shows, including an unaired pilot for Football Wives, an American adaptation of the british smash Footballers Wives, single episodes of Dirty Sexy Money and Criminal Minds and two of Samantha Who?.

He appeared in seven episodes of Ugly Betty and three episodes of The Starter Wife.  He starred in Northern Lights, a TV movie on Lifetime based on a Nora Roberts novel, in 2009, with LeAnn Rimes, who he cheated on his wife with and later married.  In 2009-10 he starred in a season of CSI:Miamias Jesse Cardoza, as a detective who returns from LAPD to work inMiamiwhere he started.  He was killed while in the lab which was poisoned by serial killer Bob Starling.  He appeared in three episodes of Chase and then got a starring role in this current season’s The Playboy Club on NBC, which was the first show cancelled, after three episodes.  He played Nick Dalton, a mysterious lawyer running for state’s attorney with ties to the mob.

Oh, and he was also in also in a boy band with two other actors from 1996 to 2001 which was unheard of in the US but had a top 10 hit, “Into You,” on the Canadian charts.

Fall 2011 Review: How to Be A Gentleman

11 Oct

I expected How to Be A Gentleman to be truly despicably awful on the level of Whitney, but it really wasn’t on that level, it was just merely not good at all.  It wasn’t cringeworthy.  I didn’t have trouble getting through the show.  It was just quite bad.

The premise is that David Hornby (Rickety Cricket from It’s Always Sunny in Philadelphia) portrays an old school “gentleman” who opens doors for women and helps old ladies cross the street, and writes a column titled “How to Be A Gentleman” about well, you can figure it out.  His magazine, boss Dave Foley, lets him know, has been bought and is changing its target, and if he wants to remain employed he’ll make his column young and edgy and far less Gentleman-like.  Of course, he doesn’t know anything of that world.  He uses a birthday gift from his sister (Mary Lynn Rajskub, or Chloe from 24) for a training session at a gym which it turns out is run by a old high school bully, Bert Lansing (Kevin Dillon, or Entourage’s Johnny Drama virtually reprising his role).  Bert, feeling guilty about all the bullying years ago, is a bro, who wants to help Hornby’s character out, and Hornby, needing to learn this lifestyle for his column agrees.

It’s a CBS comedy and it feels like a CBS comedy.  The laughter is canned, the angle is multi-camera, and there are slow breaks between jokes as we gather ourselves to prepare for the next one.

Even in a weak new season for comedy (New Girl is the best, and it’s not great), How To Be A Gentleman is fairly terrible.  One of my issues is that it conflates being a “Gentleman” with being a total loser.  I’m not sure why those things need to go together, but that seems to be what’s going on here.  His family, at his birthday dinner, notes what a loser he is and how he wouldn’t have to be if he wasn’t so uptight, or in his mind, so gentlemanly.  It’s kind of irritating to watch just how loser-ish he is time and again, more so than anyone would be in real life.  Every character is far over the top, unrelatable, and not funny.

This is one of a mini-trend of sitcoms about emasculated men searching for manliness with ABC sitcoms Man Up and Last Man Standing.  I’m really to think of a way for the trend to work, but it seems misguided from the get go.

Will I watch it again?  No.  I honestly wish the cast assembled had something a bit better to work with but I can’t in good conscience be wasting time with a lousy show like this when there are so many better shows on tv.

Rankings the Show I Watch – 15: It’s Always Sunny in Philadelphia

11 Oct

It’s frankly amazing how long this show has been on the air, and just how big it’s become.  The scientific factor I use to determine its popularity is number of green men, the green lyrca full body suit mascot that Charlie wears during a couple of episodes.  I see at Philadelphia and national sporting events, and on Halloween.  The actual suit only appeared in three episodes of the series, and yet it spawned a phenomenon as green men are everywhere.

The show has the potential to get tiresome. In each episode, the “gang” – as the characters are known find a topic, be it racism, terrorism, abortion, or sometimes less political and more random, and go off, offending tons of people in the process and coming out making fools of themselves.  Yet it stays relatively fresh, and the writers have done a pretty good job of thinking of material that is new enough to keep me laughing.  I really tried to hold off this comparison for as long as could, even though I wanted to use it all article, but Curb Your Enthusiasm really is by far the most similar show on TV to It’s Always Sunny in Philadelphia.  They’re both basically shows that apply a similar process to a new set of facts every episode. You can enter a situation into the It’s Always Sunny machine, and it’s pretty easy to figure out how things are going to go, but it still generally ends up being pretty funny.  Like in Curb, it’s all about the main characters, and everyone else is the world is just someone for them to play off of. While in Curb about equal times the other characters are crazy or normal, in It’s Always Sunny, they’re generally normal conservative folks who are utterly outraged by the gang’s lewd, selfish and inappropriate behavior.

Highlights of the last season include Dennis implying that Mac and he will bring some women onto a boat, and since they can’t get off, there will be an “implication,” which is disturbing even for Mac.  Another highlight is the gang’s drunken memories in flashback form of a Halloween party in which Dee may have gotten pregnant, and in which Dee is remembered as more and more birdlike, eventually ending up as an ostrich.

Looking over the episode list, there aren’t quite as many stone cold classics as there have been in previous seasons, though to be fair, my opinions could change, for good or ill, with a second viewing.

Why It’s This High:  No show generates more out loud laughs than It’s Always Sunny, even after six years; Charlie makes me laugh.

Why it’s not higher:  It’s a little bit hit and miss, a little bit repetitive, some episodes are better than others, some of the best ideas were used seasons ago

Best Episode of the Most Recent Season:  “Mac’s Big Break” – My friends and I became somewhat obsessed with this strange part of the episode in which Dennis uses a strange voice on his radio show asking about the US’s involvement in two wars – I can’t find anything on youtube, so you’ll just have to watch the full episode.

Power Rankings: Home Improvement

10 Oct

(Power Rankings sum up:  Each week, we’ll pick a television show and rank the actors/actresses/contestants/correspondents/etc. based on what they’ve done after the series ended (unless we’re ranking a current series, in which case we’ll have to bend the rules).  Preference will be given to more recent work, but if the work was a long time ago, but much more important/relevant, that will be factored in as well)

We’ve got a relatively short one this week – last week I did a show I barely watched when it was on (3rd Rock from the Sun) and was surprised how well the actors had done.  This week I take on a show that I saw every week for years and the actors have not fared so well.  We’re giving Earl Hindman a pass because he died in 2003.  RIP,Wilson.

7.  Taran Noah Smith (as Mark Taylor) – that’s it.  Seriously.  There is nothing on his IMDB page after 1999.

6.  Debbe Dunning (as Heidi Keppert) – she was in one episode of Sabrina the Teenage Witch and seven of something called Wicked Wicked Games.  This cast is brutal.

5.  Jonathan Taylor Thomas (as Randy Taylor) – the breakout star of the show at the time, he was big enough that he quit the last season of Home Improvement, and didn’t even return for the series finale.  That was the height of his powers sadly.  Afterwards, he’s appeared in a couple of indie films, an episode of Ally McBeal, two of Smallville, three of 8 Simple Rules and one Veronica Mars.  He also voiced a character in a Simpsons episode and five of The Wild Thornberrys.

4.  Zachery Ty Brian (as Brad Taylor) – At least he’s working as an actor.  Since Home Improvement ended, he’s been mostly working in single episode appearances.  Two episodes of Family Law, one of Touched by an Angel, one of ER, and three of Boston Public.  He was in one Buffy, one Smallville, two Veronica Mars, three of Center of the Universe, and one Cold Case.  He was in two K-ville, one of the new Knight Rider and one Burn Notice.  Oh, and he’s cousins with Broncos QB Brady Quinn.

3.  Patricia Richardson (as Jill Taylor) – She appeared in Lifetime’s Strong Medicine in a starring role for it’s three seasons.  She also appeared in nine episodes of The West Wing as the campaign director for Alan Alda’s Republican presidential candidate.  Since, she’s been in a couple of TV movies.

2.  Richard Karn (as Al Boreand) – When Karn is ranked second, you know you’re in trouble.  His most prominent work by far has been as host of Family Feud from 2002-2006.  Currently, he hosts the Game Show Network’s Bingo America.  Aside from that, he appeared in a couple of Air Bud direct to video sequels and a That ‘70s Show episode.

1. Tim Allen (as Tim Taylor) – Most of his biggest work after Home Improvement has been sequels to movies he made while starring in the show.  This includes two Toy Storys and two Santa Clauses.  Aside from that, he’s mostly been in bombs like Big Trouble and Christmas with the Kranks.   He’s also had a successful career narrating commercials, for Chevrolet and Campbell’s soup.  He’ll be starring in Last Man Standing this fall, which I don’t expect to last much longer.

Fall 2011 Review: Whitney

7 Oct

Whitney Cummings has two television shows on the air, both of them awful, and both of them naturally inviting comparison to one another.  It can often be difficult to compare two things that are both very bad, but I’ll make an attempt but describing them as thus; 2 Broke Girls is more offensive, but Whitney is worse.

What galls me more than anything else is that Whitney is given a spot on the NBC Thursday line up, the home of the most progressive and best comedies on network tv in the last decade.  Whitney, like Outsourced, shares absolutely nothing in common with what works about these other shows (The Office, Community, 30 Rock, Parks and Recreation) and I’m honestly not sure how the network could think for a second that it’s a fit.

Before I actually go into the substance of the show, which is terrible, the style itself immediately separates it from these other shows.  First of all, it has a laugh track.  I didn’t spend as much time on this with 2 Broke Girls because, well, as much as a laugh track is awful, every single show on CBS has a laugh track (CSI: Miami even I think) and that’s just the way things operate around there.  But Whitney is put in a context next to shows that have no laugh tracks; in fact I’m fairly certain no other comedy on NBC does.  Frankly, there’s absolutely no excuse for having a laugh track in this day and age.  It’s insulting to the viewer, who clearly can’t figure out when to laugh on his or her own, and it slows down the show, placing strange awkward gaps between lines.  It’s even more noticeable because of the contrast with the shows airing before Whitney.

Second, there’s the multi-camera format, while all the other NBC comedies are single camera.  Unlike with a laugh track, this isn’t bad by nature; there’s no reason a multi-camera comedy has to be bad, but it tends to be by practice – it just doesn’t feel modern, and on top of that it leads to, combined with the pauses due to the laugh track, posing, and staring right at the camera after a joke, which feels painful, especially when the joke is awful.  It feels like a canned comedy from the 1950s or ‘60s.

Wow, that was all on style.  Substance, well, Whitney just isn’t funny at all.  Whitney is supposed to be this woman who doesn’t fit in the box we put woman in or something; she’s crude and having fun and the leader in her relationship.  Honestly, I don’t really care one way or the other who her character is.  It fails the first rule of comedy – being funny (yes, there are exceptions for shows that are not really funny but technically comedies like Entourage, but let’s move past that for now) The laugh lines are corny, stale and predictable and the side characters seem like they were purchased from the bargain bin at the Sitcom Store (it’s like a Home Depot for Sitcom characters).  They include a man-hungry single woman who can’t stand men with emotions, and a sexist single guy.  Whitney herself has no charisma, whatever scraps of enjoyment can be taken from a sea(ocean?) of terrible are from her long-time boyfriend Alex.

Will I watch it again?  Nope.  I don’t know why anyone would ever watch this show ever again if they’ve seen three minutes of it.

Show of the Day: Pawn Stars

7 Oct

I readily admit that this blog focuses by and large on scripted shows and I’m more than happy with that; scripted shows are far and away what I like better and care more about.  That said, I wouldn’t be human if there weren’t a couple of reality chinks in my armor, and Pawn Stars is one of them.  I’m not the only one captivated either, as Pawn Stars was the second highest rated reality show on cable behind Jersey Shore this year and the highest rated show on the History Channel ever (though I suppose that’s not necessarily saying that much).

Here’s how it works.  A man or woman walks into the Gold & Silver Pawn Shop in Las Vegas with something to sell, often something unusual, sometimes a collection, sometimes a firearm or a historical object.  One of the employees will talk to the man or woman, and ask him or her a bunch of questions about the object, such as what it is, and where he or she got it from.  Most often the employee will be Rick, the owner of the shop, but sometimes it will be his father, his son, or his son’s slightly dim-witted friend, Chumlee.  If it’s a particularly unusual object, Rick will call on an expert that he knows in the particular area of the item (a handwriting expert for autographs, an antique firearms expert for guns and so forth) and Rick will talk to the camera about how cool the item is and how much he’d like to have it in the store.  After he gets some information from the expert, the employee will ask whether the object holder would like to sell or pawn it, and what he or she would like for it.  They will then bargain, and more often than not strike a deal, but not always.  This will happen four or five times in any episode.  Occasionally, a pawn shop employee will go off premises to check out an item, find out how much it costs to get an item restored, or to try out a new purchase, like a gun, but that’s the general gist of it.

What makes the show so compelling is the combination of the diversity and randomness of the items plus the money angle involved.  It seems simplistic to say putting prices on items just makes them more interesting, but it really does.  Like some other shows I watch, there’s a joy in seeing the familiar but distinct aspects of the show.  I’ve often discussed making a drink game out of them.  Drink whenever Rick calls in an expert.  Drink whenever the seller is angry and thinks his item was worth a lot more than the pawn shop did.  Drink whenever a deal is struck.  Drink whenever they get an item restored.

Most of the items brought to the pawn shop are jewelry, but they rarely feature on the show because that’s less interesting.  Some would cite this as being misleading, but I really couldn’t care less.  I probably wouldn’t want to watch the actual everyday business of a more normal pawn shop (there’s Hardcore Pawn to get a little closer to that if I really want).

What is even better is that as the show has become more popular, the shop has become more popular, and the show then gets more and more interesting items; the longer the show goes on, strangely enough, the better it gets.

Pawn Stars has become a big enough sensation that it’s spawned a plethora of imitators and similar shows.  These include an actual spin-off American Restorations, about the shop of one of the restorers they use, similar History Channel programs American Pickers, TruTV pawn copycat Hardcore Pawn (you can’t make a series with a porn pun) and Discovery Channel’s Auction Kings.  They’re all watchable, and some are better than others, but none of them, unsurprisingly, top the original.

Fall 2011 Review: American Horror Story

6 Oct

When I watched Homeland, I made the possibly too soon comment that I had just seen the best pilot of the fall 2011 season.  Well, after watching American Horror Story, I feel far more confident than that that in saying that I’d just seen the strangest.

Here’s the set up.  Connie Britton and Dylan McDermott are married with a daughter, living in Boston.  He’s a psychologist.  She comes home to find him cheating one day, and we find out later that she recently had a miscarriage, after which they had been distant emotionally.  They move out west to try to save their marriage and their family, and move into a creepy looking Victorian house because it’s twice the size and half the cost than the neighboring houses because the prior residents died inside, in a murder suicide.  We know the house is haunted already because, well, first, the show is called American Horror Story, and second, we saw a prologue in which a couple of mischievous twin pre-teen boys walked into the house to bust stuff up, were warned by a creepy girl that they would die inside, and then were brutally murdered by mysterious paranormal causes.

They enter the house and things are strange.  I’m going to engage in a bit of summarizing here, but this is as much for me as for you, because I need to write it down to have it all make sense to myself.  The mysterious girl from the prologue shows up out of nowhere, a bit older, telling Connie Britton she’ll die, and Jessica Lange comes into the house to take her, introducing herself as the neighbor, but she’s clearly also in on the supernatural.  A woman comes in claiming to have been the maid at the property for years and years, played by Frances Conroy, best known as the mother on Six Feet Under.  She’s hired, but oh, she’s in on the crazy too, in that she looks like a young attractive woman to McDermott but an old maid to everyone else, and she tries to seduce McDermott when she has a chance.  McDermott is treating a high school aged boy who has fantasies of murdering kids at his school, and who befriends McDermott’s teenage daughter who is having trouble fitting in and apparently also cuts herself.  McDermott begins sleepwalking naked (there’s a lot of naked Dylan McDermott) and starts playing with the flames on his stovetop.  Britton has sex with something a latex suit that she thinks is, but is not, McDermott.  McDermott runs into a mutilated Denis O’Hare (Vampire King of Mississippi from True Blood) who claims he lived in the house, which told him to kill his family, which he did, and now he’s only out of jail because he’s dying, but he’s warning McDermott, or maybe he’s just part of the whole supernatural business also.

It’s not just the fact that things are strange.  It’s that they are strange to the point of being extremely confusing (as you probably are if you read that whole summary paragraph), and I don’t mean that in a blatantly bad way as much just an extremely confusing way.  There can be a benefit to a certain amount of confusion in a show like this to get a certain feel, but that can be defeated if it goes too far and the viewer doesn’t have any idea what’s going on halfway into the season.  The style validates this confusing plot with frequent camera jumps and strange coloring.

Where do we go from here?  I’m not sure how this is sustainable for a long period of time.  Either they go crazy and die one way or another, or they get out of the house.  Those seem like the only two options, and though going crazy and dying can certainly take a couple of hours, it’s hard to see it taking more than that or they’d leave the house, unless they’re trapped or who even knows.

Will I watch it again?  Recently I said Pan-Am was the show that I said no to which was the closest to yes of all the series premieres so far.  Well, this is even closer, in that I honestly don’t know.  I’m leaning towards giving it another episode, because I’m curious where it could go, but it has the potential to burn out or get repetitive really quickly.  It may well be a game time decision.  I’m leaning towards watching it, but if I fall behind I can easily see just giving up.

Ranking the Show I Watch – 16: Curb Your Enthusiasm

6 Oct

(Note:  This was mostly written before this past season, and the sentiment is pretty much the same but I added an additional best episode at the end)

This awkwardness factor in this occasionally makes the Office look like a comfortable place to work.  It’s another unique show – although I don’t have any proof of this, I would wager there’s more improvisation in this show than in any other that I watch, and that’s not necessarily a good or bad thing but it works for this show.

I can’t think of any other popular show, or show that I watch anyway, that is driven by a single person as much as Curb.  It lives and dies by Larry – he’s in almost every scene and he’s far and away the most important character.  His wife, who would be second, is not even with him during the seventh season, and Jeff, the third most, is here and there.  I’m particularly not a huge fan of Susie – her schtick of cursing a lot and banning Larry from their house gets old very quickly.  The show works through the idea (like in Seinfeld) that Larry (and his friends Jeff and Richard Lewis) are immature and inappropriate and say the things we all think but don’t say, and even a bunch of the things we don’t even think.

Each season has an extremely loose running plot, and last season’s featured Larry trying to put together a Seinfeld reunion so he could cast his wife, spend time with her, and get back together.  The Seinfeld reunion I think was one of the better running plots and I thoroughly enjoyed Jerry himself being in about half the episodes of the season – it reminded me why I like Seinfeld a little bit better than curb – the addition of a straight man within the show really does help.

As further part of my rediscovery that in the right instance the catch phrase can become a potent weapon rather than a silly crutch, I’ve been able to identify three or four signature Larry quotes and actions that are fantastic.  Classics include his long and probing stare at someone who he thinks is bullshitting him, his semi-sarcastic prett-ay good, prett-ay good, and his, before asking an inappropriate or inane question, “Let me ask you something” – one of my favorite uses of this is in one of my favorite scenes in the series, when Larry, masquerading as a limo driver asks John McEnroe a series of ridiculous questions – “you have allergies?,” “ you believe in a god of some kind?,” “you like life?,” “do you garden?”


What It’s This High:  Seinfeld 2.0 more or less – the neurosis, the common every day situations spelled out, continuation of a successful formula

Why It’s Not Higher:  Slightly more less than more Seinfeld 2.0 – I love it, but yeah, sometimes I just want to shake Larry and tell him to give it a break, and the situations are relatable a little less often than in Seinfeld

Best episode of the most recent season:  Even though it doesn’t have Seinfeld in it, “Vehicular Fellatio” which contains of the funniest scenes of the season when Larry David, who wants to break up with his girlfriend, portrayed by Vivica A. Fox, but feels he can’t because she has cancer, tries to get her to break up with him by bringing her to a doctor notorious for advising women to dump men, and trying to act as stupid as humanly possible – Larry, after braying like a horse – “horses do it – and I can see why they do it – it feels good”

For the most recent season now, I’ll pick “The Bi-Sexual” mainly because it has the single funniest scene in the season, shown below.

Fall 2011 Preview: Cable

5 Oct

Homeland – Showtime – 10/2/11

 

Homeland stars Claire Daines as a CIA analyst who obtains a piece of intelligence about terrorist activity that no one else knows, which is that an American prisoner of war has been turned by Al Queda.  She makes nothing of that information until a POW marine who has been away eight years is discovered alive in Iraq.  Hailed as an American hero, the POW, played by Damian Lewis, may be a terrorist, or Daines may be crazy.  Nothing but great buzz here, and it sounds more intriguing than any other new show as a layered psychological thriller.

Prediction:  Renewal – best buzz of the year, and that’s worth even more on a premium network, and even more on Showtime, which still wants to be HBO

American Horror Story – FX – 10/5/11

 

The preview looks insane, and about the only fact I know, other than that Dylan McDermott and Connie Britton and their kid move into a haunted house is that Britton has sex with a ghost in a latex suit in the first episode, and frankly that leaves me even more confused.  Ryan Murphy has an extremely hit and miss record (Nip/Tuck, Glee) and horror is a genre that you generally don’t see on television, because it doesn’t play well for the long run.  From what buzz I have read, a ton takes place in the first episode, enough to make the episode exciting in and of itself but to wonder where the show goes from there, and why the fuck the couple doesn’t just move out.  This’ll probably take a couple episodes of watching to figure out whether it’s worthwhile.

Prediction:  Renewal – I honestly don’t know what to think, but here’s a stab

Hell on Wheels – 11/6/11

Set during the building of the transcontinental railroad, the series features a confederate soldier determined to take revenge on union soldiers who murdered his wife.  Deadwood is the first comparison that springs to mind, due to the time period.  It looks at least interesting, and as a history major, I tend to be a sucker for historically-based shows.  Apparently reconstruction plays a part, and Native American attacks, and who knows what else.

Prediction: Renewal – I have just as little idea as with the show above, but since Rubicon’s been the only non-Renewed show on AMC so far, I’ll take the odds

Boss – Starz – 10/21/11

 

Kelsey Grammer stars as the mayor of Chicago who has been recently diagnosed with a degenerative neurological disease.  He keeps this from everyone, his family, friends and staff, who are generally too busy with their own priorities to notice him slipping.  Political intrigue and family drama are in play, with administration members shooting for higher office, and a relationship between Grammar and his wife that may be falling apart.  I’m not sure it will be good, but it certainly could be.

Verdict: Renewal – this is downright cheating – it’s already been renewed, which is admittedly kind of incredible.  I wish Party Down got this kind of support from Starz.

Enlightened – HBO – 9/10/11

Laura Dern portrays an executive with a public breakdown in this HBO comedy.  Buzz seems to be at least slightly positive.  Luke Wilson plays her ex-husband, and Diane Ladd playes her mother.  Creator Mike White wrote for Freaks and Geeks and wrote School of Rock, but also wrote Nacho Libre.  This preview is admittedly weak but after the varying and distinct dramatic premises of the shows above, it’s hard to find a lot to say about Enlightened, especially before watching it.  I don’t mean that in a bad way, just in a premise-is-a-lot-less-important-in-comedy-so-let’s-wait-and-see way.

Prediction:  Renewal – it’s absolutely ridiculous I’ve predicted renewal for all of these, though I feel anecdotally shows are more likely to get picked up on premium cable networks.

The Zeljko Ivanek Hall of Fame: Domenick Lombardozzi

5 Oct

(The Zeljko Ivanek Hall of Fame is where we turn the spotlight on a television actor or actress, and it is named after their patron saint, Zeljko Ivanek)

Domenick Lombardozzi has made a career out of playing a very different Italian stereotype role than last week’s honoree Lenny Venito.  Like countless actors in this Hall of Fame, Lombardozzi got his start on a Law & Order episode in 1999.  He next appeared in one episode of one season show The Beat in 2000, and in a minorly memorable role in 2 episodes of Oz in 2000, as Ralph Galino, an Italian American contractor who ended up in Emerald City after a building he contracted killed two people.  Galino, a generally law-abiding citizen, didn’t fit in prison, brought a cell phone into the prison, and was killed by The Bikers relatively soon after.  He played Yankee Moose Skowron in the HBO movie 61* in 2001 and appeared in episodes of Third Watch and NYPD Blue the same year.

In 2002, he began his most memorable role as Thomas “Hurc” Hauk in The Wire.  Hurc appeared in every episode of the show, often alongside his buddy Ellis Carver, who both start as competent but disgruntled narcotics officers, and provide comic relief.  Hurc is herded into the Barksdale detail, but gets into trouble when he and Carver make a late-night raid into the housing projects and get bottles thrown at them.  Herc and Carver steal some money later on a drug bust and return to the detail in the second season.  In the third, he works in the Western District and is responsible for leaking the Hamsterdam project to the media.  In the fourth season, Herc sees the mayor receiving oral sex and uses that information to leverage his way to sergeant, but later gets fired after arrested an African-American minister on bad information.  In the fifth season, he works as an investigator for the lawyer Levy but helps out Carver by providing him with Marlo Stanfield’s phone number.

In Entourage, he played incredibly irritating character Dom, an old high school buddy of the gang who came back from prison to try to integrate into their lives, but just didn’t fit anymore.  After disappearing, he got a chance to redeem himself in a later episode where he had mostly turned his life around.  In 2009, he appeared in a Law & Order: Criminal Intent.  In 2010, he appeared in the third hour of the last season of 24, as a New York City police officer who finds a colleague dead and upon seeing Jack Bauer, thinks he is responsible.  Lombardozzi beats up Jack as his partner, who disagrees with this violence, watches, but eventually Jack escapes.  He appeared in a second season episode of Bored to Death and is one of a pair who kidnap Jonathan and demand ransom.

Currently, Lombardozzi stars as Ray Zancanelli on Breakout Kings, an A&E original program, in which, in Mod Squad fashion, a group of criminals are commissioned to help find other criminals in exchange for a reduced sentence.  Zancanelli is a former US Marshal who was fired after he was discovered to have stolen money from a crime season.  He is currently on parole, and unlike the other convicts, is allowed to carry a weapon.