Tag Archives: Ranking The Shows That I Watch 2014

Ranking the Shows That I Watch – 2014 Edition: 35-32

4 Feb

One first year show, two second year shows, and one extremely popular cable show now in its fifth season. Let’s take a look.

Intro here and 43-40 here and 39-36 here.

35. Masters of Sex – 2013: 22

Masters of Sex

Masters of Sex, one of 2013’s most promising debuts, took a step back in its sophomore season. Still a generally enjoyable show, the delights rested even more heavily on the substantial acting talents of Michael Sheen and Lizzie Kaplan. Lack of focus was the critical issue; the plot darted back and forth and couldn’t make up its mind about any direction for the season. This included a bizarre several year time jump in the middle of the season that didn’t add a whole lot while being needlessly confusing and incongruous. Poor Caitlin Fitzgerald, as Masters’ long-neglected wife is stuck with will-intended side plots that don’t completely fail but also don’t work as well as the show wants them to. There are certainly positives to be found here; the pleasant surprise of the season was the coupling of Masters and Johnson cameraman Lester with an equally damaged new character Barbara played by Breaking Bad’s Betsy Brandt. Overall I don’t feel the same enthusiasm I felt after the first season and am not recommending the show as thoroughly. That said, there’s hope; there’s no plot or character bridge that’s been crossed that should irreparably damage the show going forwards. It’s time for the writers to sit back, take stock, and really think the next season through before moving forwards.

34. AMC’s The Walking Dead – 2013: 35

AMC's The Walking Dead

AMC’s The Walking Dead is one of the more inconsistent shows on television – so much so that it’s inconsistently inconsistent. There’s a good half season, then a terrible episode, then a good two episodes, then a bad six episodes, a good A plot, a terrible B plot, and then a great C plot. To their credit, after a predictably wildly uneven second half of the fourth season, which dedicated whole episodes to different groups of characters separated for a period of time after the destruction of their prison home, the first half of the fifth season may have been the best block of episodes in the show’s run. It’s, unsurprisingly, not perfect, but the characters are better developed. Early seasons featured Rick and a bunch of thinly drawn compatriots. Now, nearly a dozen characters feel like they have distinct personalities and motivations. Even when the messaging is occasionally mind-numbingly unsubtle, the characters have at least earned a greater sense of investment. You still never know when AMC’s The Walking Dead will lay an egg, and the midseason finale left something to be desired, but overall, I look forward to the show more than I have in a couple of years.

33. The Affair – 2013: Not eligible

The Affair

Showtime’s The Affair is a solid new entrant into the premium cable universe. It’s a show that I watch and will watch again when it comes back but which I’m not quite sold on enough going forwards to freely recommend it to others. The unusual format and lack of traditional genre are the show’s two strongest selling points. We get to see a series of events from both the male and female protagonists’ perspective. These are Noah and Alison, the two participating in the titular affair, and the show deftly plays with memory and point of view. Both recount the events of their summer affair on Long Island differently in sometimes small but telling ways. Smartly, it’s not just plot and dialogue that change between the two accounts, but rather the entire look and feel. The Affair is both a character study and a murder mystery. While I spent much of the first few episodes trying to pin down what the show was trying to be, I’m not sure I even know at this point, but the unusual genre combination actually works. The weaker points of The Affair are the characters themselves; they lack depth and their motivation is often murky and not always entirely believable. Ruth Wilson has that accent that no actually American person has that some foreigners put on. The Affair is intriguing and I enjoy it, but it’s a few steps from greatness.

32. Marvel’s Agents of S.H.I.E.L.D – 2013: 44

Marvel's Agents of S.H.I.E.L.D.

I was just about ready to give up on Marvel’s Agents of S.H.I.E.L.D. last spring, especially when I had to take a sabbatical from the show because, in both an ingenious and an incredibly irritating bit of Marvel Cinematic Universe synergy, you had to see Captain America: The Winter Soldier to follow along past a certain point in the first season. In fact, I probably wouldn’t have come back to the show at all, which I was completely and thoroughly sick of, if not for the prodding of a couple of friends who assured me that the show picked up after the crossover. Calling me skeptical was an understatement. I was willing to believe the show got better, because that was a low bar, but I found it hard to believe the show could improve to the point I could be really interested in it again. I was wrong though. The events of Captain America: The Winter Soldier presaged a fundamental shift in the premise of Marvel’s Agents of S.H.I.E.L.D. which basically changed the show in every way for the better. While it’s not Breaking Bad or The Wire level of quality, it’s surprisingly hard to overstate just how much better the show has been since that crossover. The show has finally become a fun watch, in the vein of the better Marvel Cinematic Universe properties, and I hope it continues to grow in this direction.

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Ranking the Shows That I Watch – 2014 Edition: 39-36

2 Feb

Two well-loved comedies coming off down years after running a little low on ideas a few seasons into their run, one prestige drama which ended, and one decidedly non-prestige drama which just came back. Let’s go.

Intro here and 43-40 here.

39: Archer – 2013: 18

Archer: Vice

We’re now firmly onto shows that I generally enjoy, but which suffered through flawed seasons. Archer sadly seems to be slipping firmly into the decline phase that nearly all shows that last as long as it has slip into. There are all the telltale signs – the writers are out of ideas, situations repeat, the characters tell the same jokes, and the same tropes reappear again and agian. What’s makes Archer’s repetitiveness this season particularly noteworthy is that the season, known as Archer: Vice, started out with the idea of switching up the show’s entire premise. After the big shakeup however, where the gang became drug dealers instead of an intelligence agency, while the show was cosmetically different, the inner workings were the same.  Archer is a fairly breezy half hour, to its credit, by this point, I can’t think of what it would have to take for me to stop watching before the show is over, and I’ll always think of Archer overall in a positive light. Still, Archer has gone from a show I really looked forward to every week to one I knock down as part of my routine.

38: 24: Live Another Day – 2013: Not Eligible

24: Live Another Day

24 has a distinct formula which it’s continued to stick to in its rebirth, a formula which provides reliably fairly enjoyable programming and at the same time limits any chance of greatness. 24 provides a superior version of the House of Cards principle I explained in that entry; it’s enjoyable when watching, especially one after another, but tends to be far less enjoyable when ruminated on afterwards. 24’s magic is particularly strong this way. I never look forward to an episode, only to be pleasantly surprised while I’m watching, only to again forget everything about the episode soon after. It’s superior to House of Cards because it self-consciously knows what it is; it doesn’t have pretentions of being anything other than a non-stop action drama full of twists and turns which may or may not make sense. There’s no weird subplots that go nowhere, no strange episodes that feel entirely out of place. It’s all action, all of the time. Some seasons are better or worse, but that mostly has to do with the relative repetition of the plot, the likeability of the seasonal characters, and the coolness of the action scenes. Live Another Day was about average 24, and while I can’t get as excited about it as I wish I could, it definitely has a place on television that nothing else has truly occupied in its absence.

37: Boardwalk Empire – 2013: 28

Boardwalk Empire

Boardwalk Empire wanted to be The Sopranos from the start, and never quite got there, though it had fits and starts where it seemed like it might come close. The final season, unfortunately, was not one of those times. Shoehorned into eight episodes, the season lacked focus, bouncing around in an effort to end the many plots Boardwalk had started over the years. This was admirable but really missed an opportunity to simply spend more time with the characters and plots we really cared about the most, which were few. The Al Capone sideshow was subpar, and it felt as if the fact it was real history was that main reason it featured, rather than because it actually made for good TV. Capone was more a caricature than character, whether or not it was an accurate portrayal and while he was enjoyable in doses, he was overtaxed in the final season. The flashbacks while occasionally illuminating took time that could have been used to work out the many threads which Boardwalk had to deal with. As it was, many plots felt rushed, as if valuable transition scenes which would have sewn the episodes together ended up on the cutting room floor. I do think with a full 12 episodes, this season could have been a lot better, but as it was, it left a lot to be desired. Beautiful, with brilliant acting and genius cinematography, but missing humor, passion, and enough solid side characters, the final season was emblematic of the what-could-have-been nature of Boardwalk Empire on the whole.

36: Workaholics – 2013: 32

Workaholcis

Most contemporary television comedies create characters we become invested in and storylines that take us through their lives over the course of several seasons. Still, shows like It’s Always Sunny in Philadelphia and Workaholics, push on under a different model, centered around incredibly stupid characters who never grow and change. The only goal of these shows is to make you laugh. These shows can be great but they pose a challenge. Parks and Recreation generates appeal in two ways; you can like an episode because it was funny, because it made you feel, or both. Workaholics has got to be funny. Shows like Workaholics often feature a problematic running-out-of-ideas over the course of a few seasons, and Workaholics is no exception. Five seasons and going is a run to be proud of, but with so many episodes, it’s hard to keep pumping out new classics. Because of the difficulty of coming up with new ideas every episode, these shows tend to be consistently inconsistent; a hilarious episode is followed by a relative dud. All of this is true for the solid but not spectacular fourth season of Workaholics, which had its share of winners and was definitely worth watching for fans of the show, but which stopped short of classic status.

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Ranking the Shows That I Watch – 2014 Edition: 43-40

26 Jan

Let’s kick if off – here’s a link to the introduction to our annual ranking of shows that I watched last year. This is our first batch of shows, and it contains the only couple shows I didn’t really enjoy watching last year along with a show that ended without quite living up to its potential. Here we go.

43. Helix – 2013: Ineligible

Helix

For almost every show on this list, I’m going to struggle to explain how it was ranked so low, and make sure that it comes across clearly how much I enjoy the show despite its relatively low ranking. Not here. Nearly every year, there’s one show I keep up with for far too long before it disappoints me and comes apart so much that I have trouble remembering why I kept up with it that long to begin with. In 2013, that show was Under the Dome. Last year, it was Helix. Like Under the Dome, Helix had an intriguing sci-fi premise. It was also from Ron Moore, who was behind the buzzy and worth-watching, if often overrated Battlestar Galactica remake. Helix was about a team of government scientists sent to a remote artic base outside of any government’s jurisdiction where a team of scientists and researchers work on top-secret projects. At its best, it had horror-suspense intrigue; think The Thing. Unfortunately, the characters and writing were weak and didn’t get stronger, and on top of that, the story scaled up way too quickly – so much that halfway through, it turned out the base was being run by a secret cabal of immortals. By the finale, it felt like I had been sold a bill of goods in the pilot and I left fairly disgusted, writing off any chance of my watching the second season.

42. House of Cards – 2013: 39

House of Cards

My opinion about the second season of House of Cards is similar to my opinion of the first season, but even more so. House of Cards is such an apt name for the show because it captures the plot from the viewer’s perspective – if you deign to think about any plot element for any amount of time, the entire plot of the show simply crumbles. This makes House of Cards ideal for marathon watching; the less you think about the show, the more enjoyable it is, which is generally not a great recommendation for a series. The second simply makes even less sense then the first, and Kevin Spacey’s protagonist Frank Underwood can get tiresome.  It often feels like his character has little depth or anything other than ambition and a mediocre southern accent to keep us peeled. The show is nonsensical, and lacks characters worth caring about. It’s lazy, sloppily written, and the dialogue is often silly and stupid – if I ever have to hear about “back channeling” something again, I’m not sure how I’ll react. How the president is so incompetently naïve to get manipulated by Spacey time and again makes one wonder how he ascended to the office in the first place. Admittedly, I may well watch the next season, as long as I do it in less than two days and never have to think about it again thereafter.

41. Downton Abbey – 2013: 42

Downton Abbey

Every year I forgot whether I qualify Downton Abbey season-wise by the time of its original British airing in the autumn, or its American airing in the following spring. A thorough search history tells me I chose the latter, so this blurb is for the show’s fourth season. Downton Abbey, to be frank, hasn’t been a very good show since its surprisingly enjoyable first season. It’s a melodramatic soap that sometimes acts as if it thinks it goes deeper, which it doesn’t, and the show suffers because of these pretentions. Every year I strongly consider not watching the next season. I’m currently leaning towards not watching season five, but ever year I’ve relented so far so I can’t be sure of myself. Every year, after I finish the season I wonder why I watched. Downton Abbey is less culturally relevant than it has ever been and is rightfully a show whose cultural relevance has declined at the same speed as its quality. On a positive note, for what it’s worth, the theme music is still as great as ever.

40. Wilfred – 2013: 34

WilfredSeason41

Wiflred was the little show that could, an adaptation of an Australian show that pushed on towards four seasons even though it could never quite become the cult favorite it wanted to and very occasionally deserved to be. The fourth and final season was largely less than satisfying, particularly the ending, and the show was as up and down and inconsistent as ever. At its heights, Wilfred, the story of a man and his best friend, a dog who looks like a human in a dog suit to him and only him, was warm, funny, irreverent, and weird. In its lesser moments, Wilfred was flat, somewhat boring, and repetitive, especially because most episodes followed a very similar pattern in which the man doesn’t listen to Wilfred, before coming around to his advice. The show, unwisely I always thought, decided to take on the big question of whether Wilfred was real or whether Ryan was simply crazy, and while those mythology episodes worked surprisingly well in earlier seasons, in the fourth season, they didn’t. The disappointing ending was only a small part of the last season, but it was emblematic of the season’s failure to convert of its potential. I’m glad I watched Wilfred, but redone with a number of edits, it could have been a lot better.

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Ranking the Shows I Watch – 2014 Edition: The Outcasts

14 Jan

Breaking Bad

It’s time for an annual beginning-of-the-year tradition over here at Drug of the Nation, the ranking of the shows I’ve watched during the previous year. This is my fourth annual ranking, and I’ll repeat the caveat I placed atop last year’s ranking introduction:

Because the TV season is no longer the fall-to-spring trajectory that it used to be, I arbitrarily rank things on a calendar basis, and that leads to strange situations where I’m occasionally ranking the end of one season and the beginning of the next season in the same ranking. It’s strange, and not ideal, but I have to pick some point in the year to do the rankings, so I’ll roll with the punches and mention within the article if there was a significant change in quality one way or the other between the end and beginning of seasons covered in the same year.

I’m only ranking shows I watched all of or just about all of the episodes that aired last year; if I’m just two or three behind I’ll rank it, but if I’ve only seen two or three, I won’t. I’m ranking three episode mini-British seasons but not shows with one-off specials (Black Mirror’s Christmas special is the most notable example this year) . These rules are arbitrary, admittedly, but any rules would be. No daily variety programs like The Daily Show and The Colbert Report are eligible either.

The rankings this year were incredibly difficult, and a generally weak fall slate of TV shows had me forgetting just what an utterly strong year on the whole 2014 had been for television. I was forced to put shows I liked a lot towards the bottom of these rankings, and unlike previous years, there are just about no shows on this list that I’m one bad episode away from stopping, or that I’m just stringing out due to past loyalty until they finish. It’s absolutely brutal, and although I was forced to make tough choices, that doesn’t mean I don’t genuinely enjoy just about every show on this list. TV is that good, folks.

We start, as last year, with the shows that made last year’s list but didn’t make this year’s for one reason of another. This year these are almost entirely because they ended or didn’t air in the calendar year, so I’ll just run through them quickly, with some additional notes about the few that didn’t fall off due to simply not airing last year. This year I’m going to additionally throw in where a show ranked last year for context.

Here’s a quick link to last year’s final ranking as well. Now, on to the outcasts…

Breaking Bad – 2013: 1

Treme – 2013: 4

Eagleheart – Last year: 6

30 Rock – Last year: 10

Venture Bros. – 2013: 12

Top of the Lake – 2013: 15

Arrested Development – 2013: 17

Childrens Hospital – 2013: 21

Broadchurch – 2013: 23

Happy Endings – 2013: 24

NTSF: SD: SUV – 2013: 31

Black Mirror – 2013: 36

Family Tree  2013: 37

Siberia – 2013: 38

Luther – 2013: 45

The Office – 2013: 46

Dexter – 2013: 48

Enlightened – 2013: 6.5 (Initially, an embarrassingly mistaken omission)

Ben and Kate – 2013: 23.5 (Initially, an embarrassingly mistaken omission)

Take a deep breath. All of these shows did not air in 2014, so that’s the simple explanation why they’re not on the list. Many of these shows ended, Top of the Lake was a miniseries, several have extended offseasons and will be back in 2015 or later, and a couple are in extended hiatus, waiting to see whether they will return or not (looking at you, NTSF: SD: SUV). Easy enough.

Homeland – 2013: 41

Homeland

After a season and a half of utter frustration with the show’s inconsistency at best, and downright lousy and lazy writing at worst, I cut the cord, deciding not to watch the fourth season after a third season that really was not a very good season of television. People have told me the fourth season is better, and if a critical consensus emerges I’ll consider coming back, but I’m not that close to it. I got so sick of the show and Carrie and Brody in particular; if I had cut out earlier, I might have been more easily convinced to come back. It’ll always have an absolutely all-time first season, and is worthy fo remembering just for that, reminiscent of an athlete like Mark Fidrych who blows away the league in his first season only to never do anywhere close to the same again.

Under the Dome – 2013: 47

 

Under the Dome

Oof. Under the Dome’s first season makes the third season of Homeland look like the fourth season of Breaking Bad. It’s still stunning to me that I made it almost to the end of the first season (I never actually watched the season finale; either with only one left, I couldn’t bring myself to). The plot was incredibly stupid, the acting was generally pretty bad, and the characters were horrible. It’s hard to imagine a time when it could have been decent, but alas, a sneakily bad show is bound to end up getting watched sometimes when you watch so many shows.

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