Tag Archives: Luck

The Zeljko Ivanek Hall of Fame: Richard Kind

8 Apr

One of a Kind

(The Zeljko Ivanek Hall of Fame is where we turn the spotlight on a television actor or actress, and it is named after their patron saint, Zeljko Ivanek)

Playing largely portly, often anxious and neurotic characters might seem to limit the roles an actor can get, but in Richard Kind’s case, as the go-to for the type, it means he gets a lot of them.  He’s done plenty of movie work as well, including a spot in 2012 Best Picture winner Argo, but we’ll be focusing on his TV work, the medium in which he’s had his biggest successes.

Kind, born in 1956, had his first role in TV movie Two Fathers’ Justice in 1985 as District Attorney.  He appeared in a failed sitcom pilot called the Bennett Brothers as one of said brothers, an odd couple, whose other member was no less than George Clooney.  He was in single episodes of Hooperman, My Sister Sam, Mr. Belevedere, Empty Nest, 21 Jump Street, and Anything But Love.   He was a regular on eight episode 1989 NBC series Unsub, a sort of proto-Criminal Minds about an FBI team which tracks serial killers, where he appeared alongside  David Soul and M. Emmet Walsh.

He began the 1990s as a regular role player in Carol Burnett one season sketch show Carol & Company, in which he acted aside future luminaries Peter Krause and Jeremy Piven. He then traveled along with Carol when a new version of The Carol Burnett show was produced for CBS in 1991, which also didn’t last long.  He was in episodes of Princesses, Stand by Your Man, Great Scott, and The Building, and in 1992 finally got his breakthrough as a recurring character in smash success Mad About You.  He appeared in 37 episodes of the series as Dr. Mark Devanow, who left his wife, and Jamie’s best friend, Fran Devanow to see the world.  He later reconciled with his wife, converted to Buddhism  and worked at a grocery store.

Richard Kind started to get regular appearances in main casts of failed sitcoms around this time.  He starred with Julia Campbell and Stephen Tobolowsky in Blue Skies in 1994 about two guys who operate a mail-order business in Boston.  Soon after Blue Skies’ cancellation the same creators imported some of the same actors (Kind, Campbell, and Tobolowsky, now with Corbin Bernsen and John O’Hurley) to work on A Whole New Ballgame in the same time slot, about an ex-ball player who becomes a sportscaster for a local Milwaukee TV station.  The show failed equally quickly.  Kind also appeared on six episodes of the Michael Chiklis-led The Commish.  In the mid-90s, he lent his talents to individual episodes of Nowhere Man, Space: Above and Beyond, Something So Right, The Lionhearts, and Strangers with Candy.

Delivering the Spin

In 1996, he got his next big break, and the part he is most famous for, as Paul Lassiter in Spin City.  Kind is in all 145 episodes of the show, including the two Charlie Sheen seasons, after Michael J. Fox left to cope with his Parkinson’s disease. Kind’s Lassiter is the Press Secretary for the New York City Mayor’s office, and is known for being gullible, subject to practical jokes, and a bit of a cheapskate.

He lent his voice to episodes of The Wild Thornberrys and Oswald, and appeared in Disney Channel’s Even Stevens.  He began the ’00s by showing up in two episodes of Still Standing (did you know every Still Standing episode title began with the word “Still”?  I sure didn’t) and individual episodes of Just Shoot Me!, Miss Match, Girlfriends, Oliver Beene, The Division (one of his first drama appearances) and Less Than Perfect.  He narrated a series of Disney interstitial programming known as Go, Baby! which featured two babies playing with one another.

He appeared in four Scrubs episodes as hypochondriac patient Harvey Corman.  He went back to kids TV to show up in episodes of Sesame Street and a voice role in five episodes of Kim Possible.  He also lent his voice to two episodes of famously failed adult animated series Father of the Pride.  In 2002, he made his first of four memorable appearances on Larry David’s Curb Your Enthusiasm as Larry’s irritating Cousin Andy.  He famously asked Larry for money to fund his wife’s cosmetology school after Larry offered to pay his child’s college tuition.

Larry and Cousin Andy

He was in TV movies Genetically Challenged and The Angriest Man in Suburbia and single episodes of series Head Cases, Reba, Psych, Three Moons Over Milford, and Law & Order: Criminal Intent, as well as two each of E-Ring, Stargate: Atlantis, and All of Us.  He was in a Two and a Half Men, Trauma, ‘Til Death, and Harry’s Law, and multiples of Burn Notice, Leverage, and Mr. Sunshine as well as voice roles in American Dad! and The Penguins of Madagascar.

He co-starred in ill-fated but underrated David Milch HBO series Luck as Joey Rathburn, an agent for jockeys.  Within the last year since Luck was cancelled, he’s appeared in NYC-22, Law & Order: Special Victims Unit, Kroll Show, and Golden Boy, where he plays an interviewing journalist in the pilot.

We salute you for your work, Richard Kind.  The next supporting role for a slightly rotund man proud to live up to the occasional Jewish stereotype is just a call away.  Before we go, I’d like to additionally give credit to his work in the hugely underrated Coen Brothers film, A Serious Man, and note the interesting trivia fact that his best man at his 1999 wedding was his fellow Bennett brother George Clooney.

Spring 2012 Review: Luck

19 Jan

To watch Luck is to be whisked away into the less than glamorous world of horse racing.  The show opens with the release of Chester “Ace” Bernstein, portrayed by Dustin Hoffman, from a California prison. He’s picked up by his driver, played by Dennis Farina.  Berstein is eager to get back in the game, , the game being something shady but ostensibly money making involving horse racing, and because as a convicted felon he apparently can’t own horses anymore, he has his driver get a license.  Hoffman meets with an old acquaintance and has a discussion about getting back into the game,  though it seems later in the episode that the meeting may have served a different purpose entirely.

Degenerate gamblers are a plenty.  Luck focuses on four of them, one of whom seems to be a expert handicapper, which we can tell because a security guard at the track is willing to pay him fifty bucks just for his picks.  The four gamblers pool their money towards the lucrative pick six, the big jackpot reserved for picking the winners of six consecutive races.  This day luck runs their way and the four of them win a couple million between them.  Other characters include a couple of trainers working to get their horses ready for their races, a green jockey who doesn’t understand his role, and the jockey’s agent who tries to straighten him out.

I don’t know anything about horse racing.  I can count the number of times I’ve been to the track on one hand, and all of those times were with my great uncle; when he came to visit from Florida, we’d all go to the track.  The track to me, in spite of years of the “Go, baby, Go” campaign, has already represented sleaziness and Luck seems to reinforce that image, though making the sleazy behavior far more interesting than anything I’d previously imagined.  I’ve always found the idea of handicapping fascinating, that someone can go through reams of data and beat the odds, but I have no idea how it works.

Luck is created by David Milch of Deadwood fame, and like Deadwood, the language spoken on the show is English but a strange dialect of English which will inevitably take me a few episodes to understand.  I spent some time on the internet looking up a couple of terms that were used in the show.  I was quite confused after the first episode of Deadwood and it took me at least three episodes before I began to figure out what was going on.  I don’t mean this as a criticism; in fact, more the opposite, and distinct language can be a rare commodity on TV.  That said, if I hadn’t made the decision ahead of time to watch more of Deadwood, and hadn’t heard other good reviews I may not have stuck around long enough to understand the language.  I know better this time around.

It’s a world though that I’m interested in learning more about.  There were two primary angles for season long plotlines that came out of the debut.  First, Bernstein, it seemed like, was concocting some sort of plan, possibly to get back at the people who put him in jail (I actually had to watch the least scene again to try to figure out exactly his plan, and I still don’t).  Second, figuring out what the next step is for the four gamblers and newly minted millionaires (well, half a millionaires).  Beyond these two, there’s certainly ample ground for plotlines involving the agents, jockeys and trainers that not as much time was spent on in the first episode.

Will I watch it again?  Yes, I will.  I’m not sure it will be great, but it certainly looks as though it has a shot at it, which is more than most shows can say.  There are some strong actors and an interesting subculture.  David Milch knows how to put together a show, and I’m willing to give at least half a season to him to see him get started.

Spring 2012 Preview and Predictions: HBO

5 Jan

(In order to meld the spirit of futile sports predictions with the high stakes world of the who-will-be-cancelled-first fall (now spring!) television season, I’ve set up a very simple system of predictions for how long new shows will last.  Each day, I’ll (I’m aware I switched between we and I) lay out a network’s new shows scheduled to debut in the fall (reality shows not included – I’m already going to fail miserably on scripted shows, I don’t need to tackle a whole other animal) with my prediction of which of three categories it will fall into.

These categories are:

1.  Renewal – show gets renewed

2.  13+ – the show gets thirteen or more episodes, but not renewed

3.  12- – the show is cancelled before 13

Spring note:  It’s a lot harder to analyze midseason shows as there’s no collective marketing campaigns going on at one time, as many of the shows start dates are spread (or are even unannounced for some)  Still, we’ll take partially educated guesses.  Also, they’re a lot less likely to get partial pick ups, so maybe that trade off will make it easier)

HBO will get its own edition this season.  HBO debuted only one show in the fall, but has five coming out at different points over the spring, one drama, and four comedies, two which are co-produced with foreign networks.

Luck – 1/29

 

Big guns are on board for this show.  It’s created by HBO regular David Milch, who was behind the three season Deadwood, and co-created one season failure John from Cincinnati.  He also co-created NYPD Blue almost twenty years ago.  Michael Mann directed the first episode.  Luck is about the niche world of horse racing and stars Dustin Hoffman as degenerate gambler Chester“Ace” Bernstein.  Dennis Farina, Nick Nolte, Jill Hennessey and Michael Gambon also star.

Verdict:  Renewal – I really hope it’s good.  I haven’t watched all of Deadwood, but I’ve liked what I’ve seen, and while a show about such a strange insular world sounds risky it also sounds interesting.

Life’s Too Short

Life’s Too Short is a show written and directed by Ricky Gervais and Stephen Merchant and created by the two of them and famous dwarf actor Warwick Davis, star of Willow and Ewok Wicket from Return of the Jedi.  The show is a mockumentary, following an exaggerated version of Warwick Davis playing himself, as a dwarf who acts and runs a talent agency for small people.  Merchant and Gervais also appear as themselves.  A camera crew follows Davis around, promising classic Gervais and Merchant awkward comedy.

Verdict:  Renewal – cheating!  It’s a co-production with the BBC, where it aired this fall and it’s already been renewed for a second season airing in 2013.

Girls – sometime in April

I have an extremely limited amount of information about this series at my disposal.  Girls will be executively produced by Judd Apatow and is created by 25 year old Lena Durham who apparently made minor waves with film Tiny Furniture in 2010.  It’s about four girls in their twenties, and I read it billed, on one site, as the anti-Sex and the City.  Not in the constantly talking about sex way, as there’ll be lots of that.  More in the, instead of eating at fancy restaurants and buying expensive purses, they’ll be near broke.

Verdict: 12-  Honestly, I have no fucking clue.  HBO shows are far more likely to get second seasons than broadcast shows, but something’s got to get cancelled.

Angry Boys – 1/1

Co-produced by HBO and the Australian Broadcasting Corporation, Angry Boys is another mockumentary series, this time created by mockumentary veteran Australian Chris Lillies who has produced two mockumentary series before this one.  Lillies himself plays most of the important characters, including an American rapper (is blackface cool by now?), a champion surfer, a guard at a juvenile prison, and a Japanese mother.

Verdict:  Renewal – another cheat!  This was released in Australia nearly a year ago and is very popular there.  I can’t find anything about renewal, but unless they don’t want to continue or it’s a lot more expensive to film than it seems to be, international popularity may keep it afloat regardless of how it does in the US of A.

Veep – unscheduled

To refill their comedy stock after the comedy mass execution of ’11, HBO is throwing out a few options this spring.  In Veep, Julia Louis-Dreyfuss plays the Vice President of the US and it turns out the job isn’t quite as glamorous as it sounds.  Louis-Dreyfuss struggles with the day to day monotony of a post without much power.  Tony Hale (Buster of Arrested Development) and Anna Chlumsky (the titular girl in My Girl) co-star.

Verdict:  Renewal – Louis-Dreyfuss is talented enough and HBO will probably give her a better vehicle here than The New Adventures of Old Christine.  Plus, HBO needs the comedies.