A Netflix original, a Yahoo Screen original, a British show, and a Fox third-season comedy. Moving on.
Intro here and 58-55 here and 54-51 here and 50-47 here and 46-43 here and 42-39 here.
38. Peep Show – 2014: Not Eligible
The 9th and final season of Peep Show, which has to be some sort of British record, aired last year, three seasons after the previous. Peep Show may have had over its lifespan more boisterous laugh out loud moments than almost any show I’ve watched, and while it was certainly not at its peak last year, there were just enough moments of vintage Peep Show to earn its place here. It can be painfully hard to watch at times, and the characters are such morons, but no one, not even Michael Scott from The Office, can screw up a dinner party as gleefully as Mark does this season, leading to perhaps both the most awkward and funny scene of the season. Peep Show brought back just about every important character for a minute for one last go around and gave a fittingly miserable send off to Mark and Jeremy.
37. Other Space – 2014: Not Eligible
Other Space sadly will not be returning last year largely because no one watched it, at least in part because it was on the short-lived Yahoo Screen, Yahoo’s ill-advised attempt to compete with Amazon and Netflix with original streaming content which resulted in massive failure. Other Space is a zany comedy about a crew of future outcasts who ventured off the grid in outer space. The production values are low, low, low; almost every episode feels like a bottle episode stuck in a few rooms on the ship. Other Space is smartly, however, perfectly tailored towards such an environment, and takes advantage of how silly and low budget it looks. The largely unknown actors (the most famous are Joel, the original host of MST3K, and Lily from the long-running series of AT&T commercials) do a good job, and the comedy smartly takes advantage of the engine that powers most great sitcoms – constantly rejiggering different combinations of characters interacting together. I’m still not sure why this show didn’t catch up at least in a small way with more of the tv-watching internet.
36. Brooklyn Nine-Nine – 2014: 19
Brooklyn Nine-Nine has settled into its place as a second tier comedy, good for a few laughs an episode, and the occasional breakout episode, but never quite reaching the synthesis of top quality writing and character development that would see it ranked any higher. I’ve said it before, but little has changed; I’ve given up on hoping Brooklyn Nine-Nine will ever reach the heights of its spiritual predecessor Parks & Recreation and have done my best to try to enjoy it for what it is. The characters have begun to occasionally grate on me over time; while they’ve definitely improved since the outset, sometimes the development seems permanently stunted – the characters have trouble becoming more than the over-the-top traits that initially defined them, especially Charles (can we go an episode without him talking about his food snobbishness?). There are still plenty of fun moments, I like the cast a lot, regardless of their character shortcomings, and we’re high enough on the list that I’m in no danger of stopping watching. It’s just hard to shake the notion that this show should be a bit better than it is.
35. Orange is the New Black – 2014: 14
I watched most of Orange is the New Black’s third season in a short period with a couple of friends, and though I generally enjoyed it, we ended up pausing for some reason which I don’t recall with about four episodes to go. I didn’t watch for a while, thinking we’d get back together again, until eventually it seemed like momentum had stalled and even once I figured it’d be okay for me to finish it out solo, I didn’t really want to, having a negative impression of the season in my mind. And then eventually one day, I ran through the episodes, and though the problems of the third season were still present, I enjoyed the end of the season a lot more than I remembered and couldn’t quite figure out why I had held off for so long. And that’s kind of where Orange is the New Black stands. The third season was not its most stellar; it was less focused than the others, and some of the plots fell flat, particularly Piper’s. Luckily, however, Piper is no longer the protagonist. The show has become a true ensemble, and the protagonist, really, if there was one last season was Caputo. The show still offers a perspective different than any other show on TV, with a large and diverse female cast unlike any on TV, and that’s still worth something.
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